Edna Manley

Born:

March 1, 1900, Newcastle, England

Died:

February 2, 1987, Kingston, Jamaica

Nationality:

Jamaican

Profession(s):

Sculptor, Artist, Educator, Arts Advocate

Early Life and Education

• Born Edna May Burke to English Methodist chaplain Harvey Burke and Ellie Shearer.
• Educated privately in England.
• Initially studied art at St Martin's School of Art and later at the Regent Street Polytechnic (now University of Westminster) in London.

Career and Major Achievements

• Moved to Jamaica in 1922 after marrying Norman Manley.
• Became a central figure in the development of Jamaican art and national identity.
• Helped to establish the Jamaica School of Art (now the Edna Manley College of the Visual and Performing Arts).
• Her work frequently explored themes of Jamaican identity, social justice, and cultural heritage.
• Served as a mentor and inspiration to many Jamaican artists.
• Her political engagement influenced her art, reflecting her support for the Jamaican independence movement.

Notable Works

• Negro Aroused (1935): A seminal work expressing the growing spirit of self-awareness in Jamaica.
• Prophet (1936): Demonstrates strong modernist influences.
• Pocomania (1950): Explores the spiritual practices of Jamaica.
• Numerous portraits and other sculptures that depict Jamaican life and culture.

Legacy and Impact

Edna Manley is considered a pivotal figure in Jamaican art history. As the 'mother of Jamaican art', her exploration of national identity and her role in establishing art education institutions have had a lasting impact on the cultural landscape of Jamaica. The creation of an "Edna Manley artist biography" helps preserve her impact on the artistic community.

Awards and Recognition

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